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The Art of Dying

Writings, 2019-2022

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
When Peter Schjeldahl, The New Yorker's art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, "The Art of Dying," in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, "These extra months are a luxury that I hope to have put to good use."
And he did. The Art of Dying begins with that essay and collects all forty-six pieces that he subsequently published in the magazine before his death in October 2022.
These last works explore the meanings and purposes of art, not only in relation to the writer's own condition, but also under the stress of an intensely anxious period spanning the pandemic, the Black Lives Matter protests, the 2020 presidential election, and the war in Ukraine. Reviewing exhibitions and, occasionally, books, Schjeldahl probed the art world's answers to the questions—esthetic, moral, political—posed by these tempestuous three years, in writing inflected with generosity and openness.
Comedian and author Steve Martin contributes a foreword, and writer and curator Jarrett Earnest contributes an introduction.
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    • Publisher's Weekly

      Starred review from April 8, 2024
      New Yorker art critic Schjeldahl, who died in October 2022, puts his “almost freakish gift for the English language” (in the words of critic Jarrett Earnest) on full display in this brilliant essay collection. In 2019, the author announced his lung cancer diagnosis in the title essay, which is less a rumination on mortality (“I find myself thinking about death less than I used to”) than a clear-eyed consideration of the art of criticism. Covering such subjects as Edward Hopper, the Storm King Art Center in New York State, and painter Faith Ringgold, Schjeldahl’s essays showcase his pithy eloquence (“Nearly every house that he painted strikes me as a self-portrait, with brooding windows and almost never a visible... inviting door,” he writes of the sense of solitude in Edward Hopper’s paintings); plainspoken enthusiasm (“I loved it!” he exclaims about a 2020 exhibit of French figure drawings at the Clark Art Institute); and willingness to rethink previous judgments and see anew, as he did about the merits of Pop Art painter Peter Saul. Above all, the collection is a testament to Schjeldahl’s unique ability to make tangible art’s emotional effects on the viewer, as in his description of how Peter Saul’s “pictures mount furious assaults on the eye, leaving you with indescribable.... choreographies of one damned thing after another.” This posthumous collection will be a gift to Schjeldahl’s admirers and a revelation to those new to his work.

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  • OverDrive Listen audiobook

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  • English

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