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The Lyric Essay as Resistance

Truth from the Margins

ebook
1 of 1 copy available
1 of 1 copy available

Resistance and representation manifests in the subversive genre of the lyric essay.

Winner of the Midwest Book Award!

Lyric essayists draw on memoir, poetry, and prose to push against the arbitrary genre restrictions in creative nonfiction, opening up space not only for new forms of writing, but also new voices and a new literary canon. This anthology features some of the best lyric essays published in the last several years by prominent and emerging writers. Editors Zoë Bossiere and Erica Trabold situate this anthology within the ongoing work of resistance—to genre convention, literary tradition, and the confines of dominant-culture spaces. As sites of resistance, these essays are diverse and include investigations into deeply personal and political topics such as queer and trans identity, the American BIPOC experience, reproductive justice, belonging, grief, and more.

The lyric essay is always surprising; it is bold, unbound, and free. This collection highlights the lyric essay's natural capacity for representation and resistance and celebrates the form as a subversive genre that offers a mode of expression for marginalized voices. The Lyric Essay as Resistance features contemporary work by essayists including Melissa Febos, Wendy S. Walters, Torrey Peters, Jenny Boully, Crystal Wilkinson, Elissa Washuta, Lillian-Yvonne Bertram, and many more. Their work demonstrates the power of the lyric essay to bring about change, both on the page and in our communities.

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    • Publisher's Weekly

      January 30, 2023
      In this exciting compendium, Bossiere and Trabold collect essays on identity by writers from marginalized communities. The editors define the lyric essay as a “form-between-forms” that forgoes prose conventions “in favor of embracing more liminal styles,” and the deeply personal contributions showcase the variety the form has to offer. In “Dreaming of Ramadi in Detroit,” Aisha Sabatini Sloan contemplates her multiracial family and likens the U.S. occupation of Iraq to the 2014 police violence against protestors in Ferguson, Mo., by recounting CNN clips she’s caught on airport TVs. Many of the contributions embrace experimental formats, such as Lillian-Yvonne Bertram’s “World Maps,” in which text boxes positioned at drastic angles containing poem-like fragments reflect on Bertram’s burgeoning awareness as a child that she was biracial and lesbian. Danielle Geller’s “Annotating the First Page of the First Navajo–English Dictionary” is similarly adventurous, poignantly considering intergenerational trauma through autobiographical footnotes to a list of English translations of Navajo words. The inventive formats dazzle, finding novel ways to drive home each piece’s message and testifying to the rewards found when writers are willing to break the rules. These selections exemplify the profound possibilities inherent in the lyric essay.

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  • English

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